UNDER THE GUIDANCE OF FOUR RENOWNED MENTORS, the chosen attendees will live, work and reflect with each other and their mentors during this weeklong retreat. The mentors will examine their practice with daily one-on-one as well as stimulating group exchanges. Portfolio reviews, supportive critique, discussions, shooting exercises and opportunities for introspection are all integral components of this special program.
Visuals Editor, The New Yorker, 1996-2011
Independent Curator, Writer and Teacher, New York
Elisabeth Biondi was the Visuals Editor of The New Yorker for 15 years until she left in 2011 to work as an independent curator, writer and teacher. She curated Subjective/Objective and Under the Bridge for the New York PhotoFestival 2011, and New Yorker Fiction/Real Photography at Steven Kasher Gallery in Chelsea. In the fall of 2011 her exhibition Beyond Words: Photography in the New Yorker was the season’s opening show at the Howard Greenberg Gallery. An expanded version traveled to the Ullens Center in Beijing in 2012. Her exhibition Widely Different: New York City Panoramas was on view at the Seaport Museum, New York in 2012. She was a photography consultant for Stern magazine, and she is a Senior Thesis Adviser for SVA Graduate School. Her column Portfolio is published in Photograph magazine. Most recently she was a juror for the World Press Photography Awards and the Sony World Photography Awards, in addition to numerous national and international photography juries. She advises many up-and-coming photographers and edits their work.
Elisabeth Biondi joined The New Yorker in 1996, shortly after photography was introduced to the magazine. As Visuals Editor she helped shape the look of the publication by establishing a group of staff photographers, commissioning both masters and emerging talent. She built the magazine’s reputation for its use of photography, for which it received numerous awards, including two National Magazine Awards.
Born and educated in Germany, Elisabeth started working with photographers when Geo magazine, often described as a more contemporary and controversial version of National Geographic, launched in the US. The magazine won many awards for photography and design. Subsequently she moved to Vanity Fair, and as Director of Photography, focused on lively, witty portraiture – which became an important element of the magazine’s success. After seven years at Vanity Fair, Elisabeth returned to Germany to work for Stern, one of Germany’s largest newsweeklies. As head of the Photography Department, she explored the fast-paced world of news and reportage photography, and worked with celebrated photographers all around the world. In 1996, she then returned to New York to become Visuals Editor of The New Yorker.
Interview by Matthew Leifheit for ArtFCity
Artist, Professor of Photography, Bielefeld University of Applied Sciences, Germany
Katharina Bosse is an artist and Professor of Photography. Her fine art photographs are in the collections of MoMA, New York and Musée National d’Art Moderne, Paris. She has exhibited internationally, most recently at Centre Pompidou and Galerie Anne Barrault in Paris, and in Kunsthalle Bielefeld, Germany, as well as in numerous private collections. Her editorial work has been featured in Geo, Der Spiegel, Spin, Fortune, The New York Times magazine and The New Yorker.
Born in Finland and raised in the Black Forest in Germany, Katharina earned her graduate degree from Bielefeld University of Applied Sciences. She lived in New York for several years as an artist and editorial photographer and currently teaches photography at Bielefeld University in Germany.
Katharina’s work focuses on portraits and architecture, defining color and composition as interactive elements of the photographic language. Her published books include Surface Tension, New Burlesque (about burlesque performers in the US) and A Portrait of the Artist as a Young Mother (on the conflicting images of Artist/Mother.)
She curated The Space Beyond, an exhibition of work by young German photographers at the Camera Club of New York in 2014. Currently, she is curating an international traveling exhibition on the subject of theatre architecture from the Nazi period.
For more information on Katharina Bosse:
Bielefeld University of Applied Sciences
Interview by Zak Dimitrov in HOTSHOE: ‘The Space Beyond’
Photographer, Artist and Faculty at ICP, New York
Martine Fougeron is a fine art photographer living in New York whose work has been exhibited internationally and is held in major public and private collections.
Martine Fougeron was born in Paris and studied at LFNY, l’Institut d’Études Politiques de Paris, Wellesley College and the International Center of Photography. She has been living in New York since 1996 and working as a photographer since 2006 when she graduated from ICP’s General Studies program– having turned to photography after a successful career as a Creative Director in the fragrance industry where she was the ‘nose of the noses’ of 20 world-class perfumers.
Martine’s primary fine art photography project since 2005 has been the ‘Teen Tribe’ series in which she offers an intimate portrait of the lives of her two adolescent sons and their group of friends. She has mounted solo shows in Los Angeles, New York and Philadelphia and her work has been exhibited internationally in China, France, Italy, South Korea, and Switzerland. The work was recently exhibited at The Gallery at Hermès in NY in 2013 and is held in major private and public collections including the Museum of Fine Arts in Houston and the Philadelphia Museum of Art. Steidl will publish a book on Fougeron’s work from this series, Teen Tribe: A World with Two Sons, in the Fall/Winter 2014/2015.
Martine also started a new long-term project ‘Heart of The South Bronx: Trades’ in 2011 soon after she moved her studio to The South Bronx. She is creating portraits of workers, interiors, machines, processes, and products of these diverse industries.
Martine is on the faculty of the International Center of Photography and has been a guest artist and teacher at Pratt Institute, New York University, CCNY and SVA. Her incisive images of life and culture in that city have made her a frequent contributor to The New Yorker, The New York Times Sunday Magazine, The Wall Street Journal Magazine and New York Magazine.
Critic, Curator and Faculty at School of Visual Arts, New York
Lyle Rexer is an internationally recognized curator and critic. Educated at Columbia, and at Oxford University where he was a Rhodes Scholar, he is the author of several books on art and photography, including The Edge of Vision: The Rise of Abstraction in Photography (2009) and Photography’s Antiquarian Avant Garde: The New Wave in Old Processes (2002).
In addition, Lyle has published hundreds of catalogue essays and articles on art, architecture, and photography, contributing to publications such as The New York Times, Art in America, Aperture, Art on Paper, Parkett, BOMB, Photograph magazine and DAMn. Lyle regularly lectures at the Metropolitan Museum and the Whitney Museum of American Art, New York and the Institut Valencià d’Art Modern in Spain. As a curator, he has organized exhibitions in the United States and internationally, most recently The Edge of Vision, a selection of contemporary abstract photography.
He teaches in both the undergraduate and graduate photography programs at the School of Visual Arts and is a columnist for Photograph magazine.
Interview by Aperture: Lyle Rexer: The Edge of Vision